Sunday, February 26, 2017

Sam's Show Recap: 2/25/17

So I've had the flu all week and in the process of continuing to be poor as fuck I realized I'd only really get to have one show for probably the next 2 maybe 3 weeks and boy oh fucking boy did I make a good show pick.

Momma's Boy just had their EP release show at the Tank Room with Rachel Mallin and the Wild Type and Scruffy and the Janitors acting as the supporting bands and it was like Manor Fest all over again one great big pile of AH THE FUCK YEAH people so let's not bullshit a whole lot and with a series of bad photos let's get to telling you how fucking bad ass this show was.

Rachel Mallin and company





So yeah I didn't get a pic of their set because....I really don't know why I just kind of didn't and I've written about them and Momma's Boy a lot on here so you know that I've been following these wonderful acts around for quite a while and tonight was a pretty good example as to why they're a consistently tight act that performs a very well structured set of excellently crafted songs with a lot of their soon to be released tunes seriously taking shape in the form of some heavier more rock oriented tracks that show a lot of girth and that's fucking dope as hell and I for one can't wait for them to finally put out their tune I Pick Winners because it seriously has the potential to be even bigger than White Girls.



(With Permission Video of The exceptional Razorback courtesy of Kansas City's best interviewer and radio media advisory bestliness himself Mr. McClain Johnson)

In a couple of words this band delivered tonight as they always do and even a sick Rachel still delivered on the vocal front very well and they played a very jammy kind of heavier rendition of Razorback for the first time since their EP release show and my heart literally skipped a beat so yeah they currently have a level of love I haven't felt in a minute.




Straight outta St. Joe is a group of raccous rockers that bring the pure unadulterated blues tinged kind of 70's inspired doomy rock and roll played at 11, with rifts that will make you bang your head and lyrics that are admittedly repetitive but destined to get stuck in your head for months on end you have a band that's almost legendary in a sense of the Tank room felt almost too sanitary for their kind of bad assery and this show like many of theirs I've had the pleasure of seeing was just dripping in awesome and a broken bass string that I may or may not have jinxed into happening I for one am taking no claims as to it happening it's just merely a coincidence I'm just saying.

Top to bottom they brought the fucking thunder and once Dirtleg stepped in bodies where bashing about and beer was getting spilled and everyone was reminded don't fuck with Scruffy. They have been working on an album for the past 2+ years and should be getting something released at some point this year so I definitely would advise you stay on the lookout because that album will kick some serious fucking ass I guarantee that.



Momma's Boy



If you look back all of a few post I wrote about how fucking phenomenal a set these guy's did at a midcoast takeover showcase well in a nut shell this set was that good and then about another twenty two and a quarter times more awesome this band filled out the Tank room and gave everyone there about a hundred dollars worth of excellent for 8 and since that's all that needs to be said in terms of how fucking phenomenally good their show was technical difficulties and all let's talk about Liquid Courage for a bit because you should just buy it like RIGHT THE FUCK NOW!
From the fast paced swirling psychedelics of Make Believe, the mildly depressing Sleepin', the utter gem of a track that is Sweet Girl, and of course the bad ass singles Cool Heat and Be Good Boy I've literally watched all of these tracks grow and this EP is the amalgamation of a year of being dedicated to this band and being rewarded in the best way possible what we have here is 6 songs of straight fire that live and on this album are just fucking awesome I couldn't of thrown my money at these guy's fast enough and those reading this need to run out and see these guy's live and download the fuck out of this album because this fucking show and EP are just validation of why I've dedicated so much blog space to these handsome fucking devils.



I've done good this year and seen some mind blowingly good shows and it's only FUCKING FEBRUARY GOD FUCKING DAMN IT PEOPLE!

Saturday, February 11, 2017

Sam's Show Recap 2/10/17

So before I get into details HOLY FUCKING SHIT!

Yeah so some context I skipped 96.5 the buzz's yearly Valentines day show because for lack of a better term I couldn't fucking do it there's a variety of reasons behind why we avoid certain situations and in this case I still can't stand certain things and as solid as the line up was none of it was worth dealing with a fair amount of people that for lack of a better word were going to kill my buzz, but with that out of the way HOLY FUCKING SHIT do I not regret that decision one fucking bit because yeah my fucking god this show.

I went to the Record bar yet again for a showcasing of local talent thrown by local label The Record Machine where they had local Kansas City acts Jaenki, Westside Royal, Pink Royal, and Westerners all play and yeah they all killed it so if the descriptions are short it's because the performances I was treated to this night were so good that I often found myself literally at a loss for words but let's try and piece together something for you people.




Hold on I have to get this out of my system but....WESTSIIIIIIIIIDE! 

OK now that I've gotten the calling card out of my system this band is just damn great in every fucking way they brought the right energy that should be brought when opening a show and they continue to prove just how fucking great a group they really are because Michael Schley is a hell of a front man with a solid fucking voice and a way of carrying himself on stage that keeps your eyes on him, and this band rocked through a set of great tracks all full of bombast and energy that perfectly matches if not exceeds the album cuts on top of doing this excellent mix of David Bowie's, "Let's Dance," into their exceptional single, “Not the Same,” but the song that really stuck with me is a tune they are in the midst of recording known as, “Better,” which you can see in a video below this post from another show at the same venue because I didn't record video because I was too busy being blown away by it's 80's new wave grooves, kind of funk like bass work, and bombastic drum track this song is FUCKING AWESOME!

I very much advise you go out and download their EP So Wrong, So Well and see this band because they got a special something to be a real thing.



This band was a surprise for me because I'd never heard them nor did I know what to expect and in all honesty they had a bit of a My Morning Jacket feel in their solid musicianship and jam vibes that I totally found myself really digging and I'd say they did a damn good job tonight they were a very pleasant surprise in every way and they provided an energy that had the crowd a rocking all through out their bad ass set.





After about a 6 month hiatus to kind of regroup after their lead singer left for China for specific career reasons PINK ROYAL ARE BACK BABY with a fucking bad ass keytar to boot and tonight was a very welcoming return to form.


(Seriously look how fucking bad ass that thing looks)

Their playing was tight, the vocals quite great, the new songs just as great as the old but with a more rock oriented vibe and a bit more girth, and an energy that had the whole building a dancing and singing along this band just brought it and didn't let go and they gave me a show that proved why I gave a damn about this band to begin with I'm pretty pumped for them to put out some new music and do more touring so everyone else can enjoy one hell of a fucking show.


So....it's....I.....ok I'm just going to say it THIS FUCKING BAND HOLY FUCKING SHIT BATMAN I seriously was left flabbergasted after their set because they just straight up felt like they were on a whole other level of existence just an utterly captivating and mind blowing performance from a group that sound so much bigger than the sum of it's parts and seeing Miracle Maze live was just fucking phenomenal.

Being that every member of this act is just dripping with talent and all 3 vocalist know how to carry themselves and perform with a level of excellence that's almost unmatched you had a band that were so full, textured, and rich sounding that they gave me a show that sounded and felt like it belonged in a fucking stadium they just are too good for their own good and after seeing them perform and even now a day later for real I'm so flabbergasted trying to come up with the right words all I can really say is they're something special and they put on a show that was so good that words can't begin to describe why you should pay attention if you can see them don't question just do it and make sure to bring a bag to pick up the chunks of your mind that'll be BLOWN THE FUCK AWAY.


SO yeah this show was fucking great.

Wednesday, February 8, 2017

7 years 5 great tracks

So I haven't written about a group of songs in quite some time and there's a very special anniversary that's come today and that would be mine, yes people today Sam's Song of the Day is officially 7 years old and with that in mind I'm a do one of my favorite things a Top 5 list but rather than making a best of like I did a few years ago I'm instead going to highlight 5 tracks that you guy's should all be listening to RIGHT THE FUCK NOW!!!! maybe all at the same time if you're fancy but yeah I've done plenty of reminiscing on here and figure I'd take this year to be in the here and now so in no particular order here's 5 songs that I've on and off been rocking out to over the past few weeks starting with the newest release...

1. Be Good Boy-Momma's Boy

AH THE FUCK YEAH! Kansas City's best group of rockers are gearing up to release the much anticipated and surely spectacular Liquid Courage EP this month and on February 3rd they debuted the first single from the upcoming 6 track EP in the form of this spectacular surf rock cut, “Be Good Boy,” which is a racious little number with an infectiously catchy guitar groove, some stellar bass work, and an opening line I get stuck in my head ALL THE TIME! Seriously before this was recorded I'd get the line, “I See You Smoking a Cigarette,” stuck in my head all the god damn time partly because I'd heard this so many times when I've gone to see them play and because of my favorite story involving this band.

It was at the second show I saw them which was a house show called Manor Fest which they threw in their house and they were closing out the first of a two night extravaganza and during their set the guitarist and vocalist on this particular track Mr. Shaun Crowley had tried to use another guitar for a track and during the whole song the guitar wasn't working and as the song went on he got more and more frustrated before eventually saying fuck it and plugging back in his regular guitar with just enough time to finish out the song and to light a cigarette before then starting in on this very track singing that line with a cigarette in his mouth and I'm not going to lie that was probably the most bad ass fucking thing I'd ever seen somebody performing a show do which is kind of silly yes but you know what FUCK IT if you were there and you saw that you'd think, “wow that guy's a cool mother fucker,” and you'd be damn right because that was Rock and Roll as fuck and this song is about that bad ass so yeah you should go to bandcamp and download the fuck out of this and if you're cool you can throw down a dollar or nothing at all I'm not here to judge just to tell you to download and play this awesome track repeatedly.

Also if you're really fucking awesome you can go see these bad ass mother fuckers play this song live for their release shows of Liquid Courage on February 23rd at the Replay Lounge in Lawrence Kansas or on February 25th at the Tank Room here in KCMO where you can get a copy of this album on CD or Cassette if that's your jive but either way you owe it to yourself to see this fucking band because yeah they are fucking AWESOME!



2. The One Who Got away-Shadow Rabbits

ON the topic of bad ass Kansas City acts that I've seen and covered here on Sam's Song of the Day we have the very groovy Shadow Rabbits with a very kind of dreamy-indie rock song with very 60's psychedelic rock tones in the form of, “The One Who Got Away,” which I've had on a pretty steady repeat since getting to see them play it live and I just have to say GOD DAMN is this song good.

The vocals are just on point with a level of confidence that is just damn impressive, the production is retro but still clean, and the part near the end where she echo's the line, “You're the one who got away,” that just get stuck in my head and give the listener something to REALLY sing along to with a shit load of passion similar to it's lyrical themes that are pretty much explained in the title and admittedly are very minimal and possibly could stand to have a verse just kind of cut out for the sake of making it not drag on awkwardly but hey when you're harking back to a time of 3 minute rock tunes that's acceptable and of course that outro is just damn great.

This band is super dope people and I this track is just one of many they have available that are well worth your time to go check out.





3. To The Fire-DREAMERS

Now for me to talk about a band that I've covered for quite a while on here and who isn't from Kansas City and a band that I'll be seeing live again here next month with one of MANY exceptional cuts from their debut album, “This Album Does Not Exist,” in the form of this just fucking jaw droppingly great track, “To the Fire,” which is a very kind of 80's New Wave dreamy cut with a chorus that's just fucking pure unadulterated FIRE like for real I could just hear those echoing cries of, “Into the fire,” on endless repeat people because I just love the effects that they use on the vocals and the steady pace of this tracks instrumentals on top of those kind of dragged out echoed vocals and the run time of just 2 minutes and 50 seconds is fucking perfect because it makes the song stay around for just long enough to make you down right crave it.

For real it's super fast pace along with awesome structure and addictively catchy echoing woo's will leave you just saying, “To the Fire,” over and over as you hit repeat to unsuccessfully try to get this awesome piece of music out of your head.

I can't wait to get to talk to these guy's again so I can tell them how great they made last year with their support of Sam's Song of the Day over their Twitter and little fun fact they were actually the first band to ever comment on one of my song of the Day post whenever I wrote about how fucking bad ass a song Wolves is and it's something I'll probably always be a little bit proud of and one of many reasons why I'm so god damn fond of this band.




4.  Can You Deal-Bleached

Yet another newer band I love and have gotten the absolute pleasure of not only seeing twice but getting to talk to them personally Bleached recently announced that they're getting ready to put out a new EP and Zine called Can You Deal which you can read about on their various social media accounts and their website and they're also gearing up to tour with The Dammed for their 40th anniversary tour which is fucking wicked as hell but with all that in mind let's talk about this fucking bad ass new single of theirs.

Can You Deal is a very kind of 90's tinged grungy rock and roll track very reminiscent of something you'd expect to hear from a Veruca Salt or maybe the Pixies and Jessica Clavins Guitar Work on this track is very VERY good and I love her changing of pace when she goes from kind of softer parts during most of the verses before kicking things into hyper drive and just fucking pounding through the chorus and her solo around the 2:50 mark is quite nice and of course Jennifers Vocals are just more confident than ever and she seems to really feel this song from how she sings it.

This band get's progressively better with each release and, “Can You Deal,” from just this track alone sounds like it may end up being possibly better than Welcome to The Worms because this band is finding a groove and will be taking over the world before we know it.



5. I Palindrome I-They Might Be Giants

So I'm a go WAYYY back to ye mythical Year of 1992 with the second track to the masters of quirky 90's alternative rock They Might Be Giants partly overlooked masterpiece of an album Apollo 18, “I palindrome I,” which in the title and a lot of it's lyrics ironically enough is a palindrome which is just one of many examples of how this quirky little duo may be the most ingeniously intelligent band around.

“Some day mother will die and I'll get the money, Mom leans down and say's my sentiments exactly, You son of a bitch I palindrome I,” start a very kind of dark and almost jerky little number that again doesn't over stay it's welcome and is dripping with this bands patented brand of charm and spontaneity in it's rapid fire pace you're delivered a stellar track that'll wiggle it's way into your subconscious and serve as one of MANY reminders that this band is more than a couple of bad ass Looney Tunes tracks.

For real if you get the time look into this bands catalog because they have made a fucking shit load of REALLY good songs that are very quirky in nature but at times can be surprising in just how well written and clever they actually are.

SO there you go people 5 bad ass songs I'm listening to right now it's been pretty fucking fun to of been doing this whole site for the past 7 years which is still FUCKING CRAZY to wrap my head around because I didn't think just how long it'd been and my facebook on this day memories thing are loaded with my post of these different songs of the day's and I've written some cringe inducing shit for sure but at the same time this little project has also given me some fucking spectacular memories especially from all the people who've read the different post and told me how much they liked them those people are the fucking best and deserve the biggest thanks along with all the bands and artist I've covered thanks for giving me a reason to go on for 7 years and the years to come but hey let's quit being sappy and go ROCK THE FUCK ON!!!!!



Monday, February 6, 2017

Sam's Thoughts...

Guy's My Age-Hey Violet

I was watching this video on the internet called Billboard breakdown where this guy analyzes the Billboard Hot 100 every week and this past week this song apparently charted somewhere in the lower half of the chart recently and I remember this critic being very harsh on this song to a point where that along with the small clip just kind of made me have to go check this song out and a few listens later I'm a small bit perplexed.

So some context to all this apparently Hey Violet consist of the members of a band called Cherri Bomb who from what I heard were an all girl pop punk act that made what was pretty bland fair very reminiscent of their tour mates 5 Seconds of Summer with a sound that give me this feeling that I'm way to old for this teenybopper shit so from that after the lead singer decided to go AWOL they reformed and changed their sound to go from a kind of teenybopper pop punk group to what I can best describe as Melanie Martinez trying to make a radio Disney rock record.

The chick they have singing for them pretty much sounds like a Disney channel knock off Melanie and from this and the other songs they've made her lyrical themes seem to consist of edgy teenage girl things like hating on “Fuqboi's,”  being young and, “Feeling it,” and of course the subject of today's post wanting to fuck older men.

This song from the beginning drops pretty much all the Radio Disney rock sounds of their previous tunes and instead adopts a kind of trap music tone with a pretty decent drop as she lulls along a chorus that sounds exactly like something Melanie Martinez would write, “Guy's My Age don't know how to treat me, don't know how to treat me, don't know how to treat me, don't know how to touch me, don't know how to love me good,” croons this purple haired choker clad chick that I had to verify that she's 18 while she does her best to basically personify a Tumblr post validating why it's not at all creepy for women this age to go after men who are at a significantly different point in their lives than them.

You have an incredibly creepy undertone going on here where the whole I'm a bad girl who's mature for her age is spending 3 and a half minutes making a very 2016 sounding pop tune that's admittedly pretty fucking catchy with it's formulaic but solid beat being complimentary to a vocalist that's clearly taking notes from Melanie Martinez and Halsey in trying to be very forbidden fruit sexy but equally uncomfortable and admittedly I only find this song interesting for the fact that somebody who enjoys Melanie Martinez as much as I do should theoretically enjoy this song a lot more but really I'm getting more of a vibe that I'm listening to a cheap knock off that just makes me wonder if all future pop bands are going to be this kind of blasé edgy teen bullshit from here on out because modern radio has been stagnant with only a couple of real gems shining though and if this sound is apparently what it takes to get on the hot 100 and get 6 million plays on Youtube than I'm just starting to think that Billy Corgan was right in saying Rock is Dead and the internet has fucked everything up because this catchy but underwhelming bit of Tumblr jams is a bad example of things to come.



Monday, January 30, 2017

Sam Reviews an Album: Goodbye Gravity, "Sunday Matinee"

(image courtesy of Bands Bandcamp Page)


I was recently approached by a local band called Goodbye Gravity to write up a short review on their new EP Sunday Matinee and after giving it a listen here's a few thoughts I had with this release.

Goodbye Gravity are an alternative rock act formed in 2014 with a sound that I can best describe as a combination between a Pink Royal meets a Westside Royal with some vocals that are incredibly solid and give a vibe of some early 2000's kind of emo/indie rock tones with a lot of light guitar work that never get's too complicated for it's own good and a penchant for writing very kind of dreamy sounding easy to sing along tunes.

Sunday Matinee as a collection of 5 songs is a decently presented package of tunes that showcase a good range of nice kind of indie rock guitar tones that remind me of a host of one off bands that came and went with Rain Cloud having a nice Two Door Cinema club vibe to it with it's nice backing synthesizers adding a kind of danceable vibe to what's already a solidly good rock number with plenty of doo's in the chorus to give the listener something to sing along with.

Listening to this I'm not really noticing any real flaws here besides maybe the fact that Nightmares and Daydreams is a bit out of place with it's kind of circus music tones and the vocals while very solidly good are a bit reserved and could maybe use a bit more inflection at points here and there and when I'm listening to these songs I kind of find myself thinking it sounds very close to some other bands in Kansas City but even so that's not taking away from the fact that when you give this repeat listens you find a lot to really enjoy especially Dustbowl, Strings, and Blurry which I can genuinely say are some pretty bad ass songs.

So if you like bands like Two Door Cinema Club, Pink Royal, Westside Royal, or MOBS I'd say you should give these guy's a listen Sunday Matinee is a solid little collection of fun danceable alternative rock cuts that'll make you feel all sorts of early 2000's feels that we all can't help but love every once in a blue moon and if you like what you hear in the link provided below you can go see these guy's live at The Tank Room Friday February 10th.

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Sunday, January 29, 2017

Sam's Show Recap 1/28/17

The Midwest Music Foundation decided to throw a show in order to help raise money to help out a group of local Kansas City acts in their attempts to go to South by Southwest and being that this show not only featured two of my favorite bands in this fine city of ours but it happen to be at the new Record Bar which by all accounts is pretty much the cream of the crop in terms of awesome fucking venues to see a show in this city it's pretty fucking obvious that sickness be damned I may have missed one bad ass showcase but I sure as hell was gonna chug that medicine and make this show and god damn it's a good thing I did because the heat was fucking brought tonight mother fuckers.

The bands showcased in this show were Vigils and Thieves, Momma's Boy, Jessica Paige, and the Phantastics which is quite a varied bill in all honesty but with that in mind let's get to the bad pictures and thoughts on these sets.




These guy's are so fucking great and this show after having a member change recently was a retreading of the waters of sorts and their first show at the new Record Bar and they did quite good if I say so. The first few songs admittedly were a bit rushed with Vicious Ears being a great way to pump up the crowd if not a bit faster than normal and after a few heavier more energetic tunes the songs eventually started getting smoother and things were sounding right and these guy's delivered yet another great set especially Haunting which was pretty fucking spot on vocally Sarah Storm just fucking knocked it out of the park here and gave an incredibly angry and awesome performance of People are Parasites following it somehow being one of the few vocalist I've ever heard actually get better as the set goes on.

If you haven't given their EP Neverland a listen go do so because this band is awesome and their shows even after some line up changes are still solidly fucking good and will most certainly hook you.




This time with all members included and well if I were to be blunt people........HOLY FUCKING JESUS CHRIST ALLMIGHTY THEY BROUGHT THE FUCKING FIIIIIIIIIIIIIAR TONIGHT!

For fucking real this set was just one great big ball of fucking awesome from their odd but awesome choice to start with the epic Make Believe to track after track of straight up bad ass fucking surf rock tinged power pop indie rock goodness this band was focused, tight, and firing on all fucking cylinders and delivered a set that just was pure proof that they are the best god damn band in the land and tracks like Sweet Girl, R&R, and Be A Good Boy can't come out soon enough because legit the year plus of working on these songs has become a set of pure non stop great and with an upcoming EP that will most likely be better than anything anyone else is going to put out I get the feeling that 2017 will be the year of the Momma's Boy just you wait.

Fuck it's going to be hard to see a show this god damn good now thanks.




So yeah after picking my jaw up and re-adjusting to reality I managed to catch this set kind of in stride and from what I heard she's a very talented vocalist with a lot of charisma on stage that knew how to get the crowd into her blend of kind of Country tinged kind of doo-whop pop tunes and her set was a solid set of tracks with my favorite being a very bad ass Zutons cover.

Upon getting to talk to her for a bit after her set and getting a complimentary copy of her album which you can go download at her bandcamp which is provided in the link above that I was listening to on my drive home I can say that if you got the time and want to listen to something on the lighter side this set of 8 songs is quite a good listen and I'll be keeping her on my radar.




I can't lie I didn't stay for their whole set because I just kind of couldn't do a whole show tonight but I will say these guy's brought the fucking funk like for real their just a non stop whirling ball of energy that had the whole house a moving and really if you were to properly appreciate this very tight group of  musicians I'd advise you get a DD or Uber knock back all the fine beverages and get on that god damn dance floor because they make music to dance to and they know how to make a crowd want to dance.

Tight funky grooves, a stage show just overflowing with charisma, and some very well rounded songs this band did a damn fine job this night and really proved why I keep tabs on when they're next shows are because this night was quite good to them and anyone willing to go out and give them a view that's for damn sure.

So yeah this was yet another excellent time at the wonderful Record Bar with plenty of acts that I hope impress all the important people up there at SXSW and this night was pretty simply one great big pile of fuck yeah.













Look what I found....it's a mother fucking starboy!


Saturday, January 21, 2017

Sam's Show Recap 1/20/17

Another weekend another show people and this one last night was FUCKING GREAT and here's yet another round-up for you guy's to go check out.

So I went to local venue The Tank Room which in all honesty is one of my favorites the staff there are super cool, the atmosphere is great, and they get some bad ass bands to play there so if you get the chance I very much advise you go see a show there because they continued their track record of doing a quality job with this show which was for a Lousiana based indie-pop act Royal Teeth with opening acts Rachel Mallin and the Wild Type and Nashville artist Tristen so on to the terribly taken photos and descriptions on the sets I watched.





Funny story here obviously I didn't get to see these guys last week and it seemed that they wanted to more than make up for that because they did a fucking stellar job at this show from the blisteringly awesome opening track I Pick Winners a fucking stand out track from their as yet to be recorded follow up to Degenerate Matters they hit the ground running with a furious blend of awesome surf rock tones and infectiously catchy hooks that I can only imagine being a truly big track from a band that ever since I first saw them at this very venue last April have really seemed to grown and improve tenfold really their playing this night was tight as hell, they were super comfortable and very witty in their on stage banter, and they overall held themselves in such a way that's quite an improvement since the first time I saw them and that's quite great to see because they really are such a wonderful and talented group of people who are crafting all sorts of excellent songs and on this particular night they played a couple of new songs that admittedly are in the rough stages but in time will most definitely be something great especially the song they closed with who's name I forgot to write down but god damn it was a somber little number who's opening chords sent shivers down my spine and was really really good.

I've seen this band a boat load of times and this night in particular really showcased why because they give a fucking great show that has only continued to grow better and better as they get more comfortable with each passing performance and if you get the chance go see them.





So I'd never heard any of Tristen's music and had no clue what to honestly expect and from the opening chords of their track Save Raina I was pleasantly surprised with a series of incredibly blue grassy kind of dust bowl sounding tunes that were sang by someone who's voice reminded me of a Neko Case to some capacity in her slight country ting with her alternative rock melodies that perfectly went along with a series of songs that as her set went along picked up in energy and quality.

This chick was dope and if she's in your neck of the woods I'd say give her a listen if you're into a more  folk influenced kind of country tinged brand of alternative rock I'd say you can really get to digging her and the fact that she's also a poet could result in a pretty solid experience for people who want some well written tunes.





I can't lie to you people these guys are some youthful looking folks and their music really reflects that with an energy and stage presence that can only really come when you're young, hungry, and ready to take over the world this band I hadn't really heard to much of before this show and wasn't entirely sure what to expect and what happened was quite a pleasant surprise.

These guys got some fucking energy and this show was a nearly non-stop series of infectiously catchy indie pop tracks similar to groups like Echo Smith or the Mowgli's that left the crowd dancing like crazy from pretty much the get go with all sorts of howling tracks and chorus' that were easy to sing along to even if you didn't know them to well to begin with you got this feeling like you did by the end of their set because the songs themselves were incredibly easy to sing along to with their excessive oh's and ah's and plenty of simple clap along beats they made you want to move, jump, and sing along that's for damn sure.

I really REALLY dug these guy's and their more pop sound that made tracks like, “Is it Just me,” and, “Wild,” a real pleasure to see live and their cover of, “Heartbeats,” which was the second song in their set and the one I remember being really fond of when I was giving them a listen a couple of day's before the show was FUCKING PHENOMENAL like I've been a huge fan of that song for years now but their arrangement which is actually pretty close to the original version is fucking great they managed to maintain a very poppy tone that makes you want to move but somehow also manage to pull a Jose Gonzalez and give a vocal performance that really has this expertly written track just hit you square in the fucking feels and give you this really kind of spine tingling sense of joy that reminds you why songs are so great sometimes.

This bands ability to feed off the crowd and make them go even harder is quite impressive and by the end of their set I was most certainly invested and will definitely be seeing them again the next opportunity I can make and if you can I very much advise you do the same because these guy's are really quite a show.


(my first set list of the year)




So yeah this night was fucking great and minus a certain sense of tension from some shenanigans I could care less to really get into there's nothing to really complain about here all the bands were killer and the fine folks at the Tank Room did an excellent job in mixing them and really making it all worth my money all thumbs up here.