Song of the Day 3/24/17

Jonestown-Scruffy and the Janitors

GOD FUCKING DAMN IT PEOPLE Scruffy and the mother fucking janitor have decided to come out of their cave of creative awesomeness and produce what has to be one of the most fucking awesomely simple fucking tunes I've heard in quite some time with the first cut from their upcomming album Modeling is hard “Jonestown.”

This song fucking rules beyond levels of normal humanly comprehension in it's simple but semi depressing lyrics and constant uttering of the phrase, “I don't wanna wait so long,” you get this tune that's very unassumingly addictive in a way that's almost difficult for me to begin to even attempt to comprehend but I can guarantee that it'll crawl up in your mind and just take residence there and leave you singing the phrase, “I DON'T WANNA WAIT SO LOOOOOOOOOOOOOONG!” over and over again.

These guy's aren't the most complex band in the land their just pure, simple, and awesome fucking rock and roll that's simple but effective and this song in some way is a bit of a more melodic kind of cleaned up sound that's a bit of a change when you compare it to their more bluesy hard rock direction that made up most of Anglo and it's single cuts like “Dirt Leg” or “Shake it Off” instead we have an almost radio friendly sound that's kind of showcases a more seasoned kind of mellowed out band and I'm all right with that especially when the songs are this sublimely good and if this song is bad ass to you which let's be real here of course it is you can actually help this band release that album Modeling is Hard by donating to both guarantee a preorder of what's sure to be a fucking spectacular piece of work and of course help support a band that's pretty fucking deserving of it.

You can donate here:

http://scruffyandthejanitors.com/

The KC Showcase: The Greeting Committee, "Meeting People is Easy"

(Image Courtesy of band's Facebook Page)

After 2 years of toiling and relentless touring Kansas City Breakthrough act The Greeting Committee are back with their newest 6 song collection in the form of Meeting People Is Easy a matured more focused set of killer tracks that really showcase a collective of individuals who are really doing their best to live up to the hype built around It's not all that bad and it's monstrous radio single, “Hands Down,” which I'd honestly hate to say as good as that song is I'm pretty sure if the jaded expressions on their faces when I saw them play it live on black Friday are any indication even they're sick of hearing that song over and over again, and in all honesty you kind of get the feeling of that tiredness of such a breakthrough single in this collection of songs because the only thing that could possibly come close to being yet another, “Hands Down,” didn't even make the record.

Instead what we have is a collection of tunes starting out with a very cool little instrumental piece that kind of is a very piano lead piece that's a little bit of a whirlwind of unusual voice samples, and a small orchestra tuned piano along with a host of what I'd almost assume are wind chimes or something I can't quite put my finger on but this feels like they really wanted to make a bad ass instrumental track like a lot of bands they listened to growing up and it does a good job of framing this work as an already more focused and well put together piece of work and that's before it even hits it's first real song.

After that interesting little introduction we're then greeted by the exceptional, “Naive,” which uses it's first 30 seconds to kind of have this almost 90's indie rock intro before then blasting into that signature dream pop guitar line that this band has really made a thing of and vocalist Addie Sartino busting in with a new found level of confidence and fullness that show's a huge improvement to the muted and lower end production that It's Not all that Bad had and you end up with a track that has a booming chorus and frenetic energy that's for lack of a better term REALLY FUCKING AWESOME and Brandon Yangmi really pulling a spectacular guitar performance. Overall this song is actually the fullest blend of every body really stepping up and showcasing that these kids are really trying to be something.

So with your head a banging they follow that track up with their signature closer in the form of, “She's A Gun,” which in all honesty it's about god damn time they recorded this because they've been refining and performing this song since I saw them at the Homegrown showcase back in 2015 and this recording is really showing that because it just oozes this feeling of being refined and perfected and of course Sartino's delivery of the line, “My Baby's Got a Gun,” is just so god damn infectiously catchy that you'll be singing it out of context all the time I swear this song feels like a mission statement of sorts to show everybody that these kids are more than cheesy teen romance tunes and that they are worth taking seriously as a real band.

The next two tracks, “Someone Else,” and, “Dancing to Nothing at All,” are what I'd say are the experimental cuts that look to practice a more slower paced and in the case of, “Dancing,” an almost jazzy like experiment of using things like Saxophone to really expand this band's sound to something more than a bunch of early 2000s inspired modern indie rock and then it all wraps up very nicely with, “BBC,” which isn't the most stand out cut you'll ever hear but it's a nice down paced rocker of a track that serves as a great closer by being kind of to the point and just kind of ending at a pretty good but abrupt point to help cap off  an EP that's done everything and anything it can to distance these guy's from the label of those kids that did that cute teenybopper tune about being young and in love by not including a single ballad on here which I'm all for because while I'll give, “Elise,” the credit of being a very personal song that really does give off some really special vibes it's also for me at least plagued with the vibe that I'm about to have this song pounded into my fucking head.

Yeah I'll say it these guy's have really proven to me personally with this EP that they're worth all the success they've accomplished in such a short time and I whole heatedly feel that they've put out a collection of songs that are 100% good if not excellent and for only being 3 months in to 2017 it almost feels like nothing can really top it so yeah go out and buy a copy if you can because these guy's really have proved themselves here and for the first time I kind of feel this album is really worth starting an actual scoring system for so as the first official EP/Album review of 2017 things are off to a pretty high start.

5/5

Best: Naive and She's A Gun

Worst: I'd be hard pressed to say anything is of any low quality but if I had to....BBC

Sam's Show Recap 3/12-3/17/17

You know I decide to tell myself, “Hey you're broke as fuck and could stand to take a few shows off,” so I did and then what happens this week I decide to just go to something like 3 shows in one week because yeah fuck it why not and GOD FUCKING DAMN did this week deliver so here's an abridged account of some of the bands I saw over the past few day's with some very terribly taken photos and links to all their Facebook Pages in the titles because that's easier than posting a bunch of audio clips.

So the first two shows I saw were at the lovely Record bar which in all honesty may be one of my favorite concert venues in this damn city with a wonderful atmosphere, a good staff, and some great booking choices this place is just phenomenal.

The first show I saw was on the 12th and it was a bit of a SXSW launch show for some bands and I manged to catch the first 3 before deciding I had to leave because of work obligations and at this show I saw:

Good Morning Bedlam

These guy's were interesting a Blue Grass harmony focused bundle of energy that made some very catchy little tunes and upon re-listening really do have some great harmonies. I couldn't really say too much because it's been a couple of day's and my mind is pretty fried but I do remember talking to some of these guy's and finding them to be some nice people along with some really good voices I'd recommend them to anyone who's a fan of a more country or blue grass sound.

Westerners

I've written about these guy's before and had a great time seeing them even though they had the unfortunate task of being followed by two mind blowingly great sets so I've had a hard time articulating just how god damn good these guy's are and this show they just kind of continued that trend of being a surprisingly bad ass fucking live show.

They provide a real energy and tone that just kind of are like a scene in a movie of the coolest rock band on the planet playing and their chemistry and onstage banter is pretty on point with them providing a very natural vibe to an effortlessly great performance that's been pretty consistent when compared to the first time I saw them so yeah this bands a bit of a hidden gem and still pleasantly great.

The UK's 

It's been a minute since I've seen these guy's and covered them here on Sam's Song of the Day and since the last time I saw them and a couple of line up changes they've some how managed to actually really grow pretty substantially with a new drummer that was a fucking machine just pounding away and while they didn't have a bass player they managed to still deliver on the various quality cuts that Bad Seed as an album presents and in some cases are playing significantly tighter on all fronts than what's actually recorded with this show maybe being the most on point I've seen them play and there's a song they've been testing around called Other Team that was just a brutally exceptional tune and them doing a 3 part harmony with the drummer really was quite bad ass and I can only hope they record it soon because I'd really like people to hear just how good it really is.

 A couple of day's later I continued my yearly tradition of seeing an exceptional show on national PI day by seeing what may be in contention for the single best god damn show I've seen this year when I saw B R O T H E R, The Griswolds and DREAMERS.

BROTHER

What's funny is I saw these guy's almost exactly one year ago from this show because I saw them play on St. Patrick's day and  I can't lie in one year they have just grown exponentially and this show was just a crazy fucking example of that growth because this set was just the tightest and best I've seen this band play ever. 

They completely had the crowd sold on them and managed to really hold their own and I really got a sense that they really are starting to get a sound to them that's more than just a Kansas City 1975 and I can only hope they put out a record soon because they really are proving why I've followed them for a year now.

DREAMERS

This band knows and anyone who has followed this blog that I fucking adore this band and This Album Does Not Exist is an exceptional record and this show was for all intense purposes just pure fucking unadulterated magic in it's purest form and while I didn't get a set list or get to say too much to all of them they delivered in a way that left me speechless and just wanting more. This band is just a captivating and energetic show that worked over the packed crowd quite well and had me jumping like a little school girl at points as I sang along with every song and felt the same surge of pure joy as they ended their set with Wolves which after almost 2 years now still hits me as hard as it ever has.

Can this band just headline a tour already and do that album front to back that'd be so fucking cool.

The Griswolds

So I haven't seen this band since they opened Buzz Beachball in 2015 and my fucking god did they go places since then right from the start this band had the whole venue hooked and at the end every one and their mother was just completely blown away at a band that in only a few years has just managed to become one of the best god damn show's you'll ever see.

They have a Glass Animals vibe in how they know how to craft incredibly groovy tunes that make bodies move and they craft some infectiously catchy and easy to sing along chorus' that at points all they needed to do was hold the microphone at the crowd and have everyone in attendance sing the songs for them and that stage was hardly able to contain them because they were all sorts of either interacting with the front row the whole time taking phones and giving people hella dope snapchat stories or just jumping into the crowd all together which was fucking awesome.

This band was special and this show was just pure magic from beginning to end from all the bands involved and even now day's later typing this up I'm still just baffled by the quality of what was done this night.

3 day's later after getting my mind thoroughly blown at this record bar show to celebrate St Patrick's day I figured I'd go to a free show up here in Power and Light to see Andrew McMahon and the Wilderness, Atlas Genius, and Night Riots. Also I have to make note that this show unusually went completely on schedule and was over and done with before 11 pm which was actually pretty nice if not kind of odd to see a show go so smooth so I'd have to say good job to all the people who worked this night and sadly this year I didn't get a single set list which was a bummer but hey you win some you lose some but onto the set reviews.

Night Riots

These guy's were really a solid set with a lot of energy that got the crowd really pumped and ready for the nights festivities and in about 30 minutes they really made me think a lot better about them then I did going in and hearing a small snipped of some Kendrick Lamar along with them doing all sorts of cool things with some drums and the whole band basically running a train on a drum set this show was amusing and most certainly will have me on the look out the next time they come to town.

(not pictured them running a train on a drum set but close enough)

Atlas Genius

I'd been following this band for a few years now and finally getting to see them I was very happy their set was filled with some super tightly grooved tunes that went on for a while and managed to really impress especially their interesting but bad ass choice to cover Dead or Alive's, “You Spin me round,” which was fucking awesome and their rendition of Tears for Fears, “Everybody wants to Rule the World,” was pretty fucking dope to but for me the real highlight of their set was the ever so REM tinged If So which is still as great now as it was the first time I heard it a couple of years ago. These guy's were fucking dope and they've really just kind of managed to carve out a real niche for themselves.

Andrew McMahon and the Wilderness

SO I thought the Griswolds had a crowd at the palm of their hands so did Mr. McMahon here who put on a show that for lack of a better way to describe it felt like 2005 didn't stop because almost everyone around me was jumping, singing, and completely losing their shit as this guy brought 90 solid minutes of piano based awesome and an energy that was just infectious with plenty of his new songs holding up very nicely live and the only real callbacks to years past being a fucking spectacular rendition of Dark Blue and Woke up in a Car along with an interestingly stripped back cover of Empire of the Sun's Walking in a Dream this guy has been doing this since 98 and it feels like he hasn't missed a beat.

This show was fucking great but in all honesty 3 shows in a week is pretty tiring and while I liked all the sets I saw by this point I think I got all I could really handle so forgive the fact that this article is kind of sloppy and rushed because this was a lot to take in and write up about for you guy's.

OH and because I never do this here's a few pics of me with Night Riots and Atlus Genius

Obviously I'm so good at this whole taking pictures with people thing aren't I?

Sam's Show Recap: 2/25/17

So I've had the flu all week and in the process of continuing to be poor as fuck I realized I'd only really get to have one show for probably the next 2 maybe 3 weeks and boy oh fucking boy did I make a good show pick.

Momma's Boy just had their EP release show at the Tank Room with Rachel Mallin and the Wild Type and Scruffy and the Janitors acting as the supporting bands and it was like Manor Fest all over again one great big pile of AH THE FUCK YEAH people so let's not bullshit a whole lot and with a series of bad photos let's get to telling you how fucking bad ass this show was.

Rachel Mallin and company

So yeah I didn't get a pic of their set because....I really don't know why I just kind of didn't and I've written about them and Momma's Boy a lot on here so you know that I've been following these wonderful acts around for quite a while and tonight was a pretty good example as to why they're a consistently tight act that performs a very well structured set of excellently crafted songs with a lot of their soon to be released tunes seriously taking shape in the form of some heavier more rock oriented tracks that show a lot of girth and that's fucking dope as hell and I for one can't wait for them to finally put out their tune I Pick Winners because it seriously has the potential to be even bigger than White Girls.

(With Permission Video of The exceptional Razorback courtesy of Kansas City's best interviewer and radio media advisory bestliness himself Mr. McClain Johnson)

In a couple of words this band delivered tonight as they always do and even a sick Rachel still delivered on the vocal front very well and they played a very jammy kind of heavier rendition of Razorback for the first time since their EP release show and my heart literally skipped a beat so yeah they currently have a level of love I haven't felt in a minute.

Scruffy and the Janitors

Straight outta St. Joe is a group of raccous rockers that bring the pure unadulterated blues tinged kind of 70's inspired doomy rock and roll played at 11, with rifts that will make you bang your head and lyrics that are admittedly repetitive but destined to get stuck in your head for months on end you have a band that's almost legendary in a sense of the Tank room felt almost too sanitary for their kind of bad assery and this show like many of theirs I've had the pleasure of seeing was just dripping in awesome and a broken bass string that I may or may not have jinxed into happening I for one am taking no claims as to it happening it's just merely a coincidence I'm just saying.

Top to bottom they brought the fucking thunder and once Dirtleg stepped in bodies where bashing about and beer was getting spilled and everyone was reminded don't fuck with Scruffy. They have been working on an album for the past 2+ years and should be getting something released at some point this year so I definitely would advise you stay on the lookout because that album will kick some serious fucking ass I guarantee that.

Momma's Boy

If you look back all of a few post I wrote about how fucking phenomenal a set these guy's did at a midcoast takeover showcase well in a nut shell this set was that good and then about another twenty two and a quarter times more awesome this band filled out the Tank room and gave everyone there about a hundred dollars worth of excellent for 8 and since that's all that needs to be said in terms of how fucking phenomenally good their show was technical difficulties and all let's talk about Liquid Courage for a bit because you should just buy it like RIGHT THE FUCK NOW!

From the fast paced swirling psychedelics of Make Believe, the mildly depressing Sleepin', the utter gem of a track that is Sweet Girl, and of course the bad ass singles Cool Heat and Be Good Boy I've literally watched all of these tracks grow and this EP is the amalgamation of a year of being dedicated to this band and being rewarded in the best way possible what we have here is 6 songs of straight fire that live and on this album are just fucking awesome I couldn't of thrown my money at these guy's fast enough and those reading this need to run out and see these guy's live and download the fuck out of this album because this fucking show and EP are just validation of why I've dedicated so much blog space to these handsome fucking devils.

I've done good this year and seen some mind blowingly good shows and it's only FUCKING FEBRUARY GOD FUCKING DAMN IT PEOPLE!

Sam's Show Recap 2/10/17

So before I get into details HOLY FUCKING SHIT!

Yeah so some context I skipped 96.5 the buzz's yearly Valentines day show because for lack of a better term I couldn't fucking do it there's a variety of reasons behind why we avoid certain situations and in this case I still can't stand certain things and as solid as the line up was none of it was worth dealing with a fair amount of people that for lack of a better word were going to kill my buzz, but with that out of the way HOLY FUCKING SHIT do I not regret that decision one fucking bit because yeah my fucking god this show.

I went to the Record bar yet again for a showcasing of local talent thrown by local label The Record Machine where they had local Kansas City acts Jaenki, Westside Royal, Pink Royal, and Westerners all play and yeah they all killed it so if the descriptions are short it's because the performances I was treated to this night were so good that I often found myself literally at a loss for words but let's try and piece together something for you people.

Westside Royal

Hold on I have to get this out of my system but....WESTSIIIIIIIIIDE! 

OK now that I've gotten the calling card out of my system this band is just damn great in every fucking way they brought the right energy that should be brought when opening a show and they continue to prove just how fucking great a group they really are because Michael Schley is a hell of a front man with a solid fucking voice and a way of carrying himself on stage that keeps your eyes on him, and this band rocked through a set of great tracks all full of bombast and energy that perfectly matches if not exceeds the album cuts on top of doing this excellent mix of David Bowie's, "Let's Dance," into their exceptional single, “Not the Same,” but the song that really stuck with me is a tune they are in the midst of recording known as, “Better,” which you can see in a video below this post from another show at the same venue because I didn't record video because I was too busy being blown away by it's 80's new wave grooves, kind of funk like bass work, and bombastic drum track this song is FUCKING AWESOME!

I very much advise you go out and download their EP So Wrong, So Well and see this band because they got a special something to be a real thing.

Westerners

This band was a surprise for me because I'd never heard them nor did I know what to expect and in all honesty they had a bit of a My Morning Jacket feel in their solid musicianship and jam vibes that I totally found myself really digging and I'd say they did a damn good job tonight they were a very pleasant surprise in every way and they provided an energy that had the crowd a rocking all through out their bad ass set.

Pink Royal

After about a 6 month hiatus to kind of regroup after their lead singer left for China for specific career reasons PINK ROYAL ARE BACK BABY with a fucking bad ass keytar to boot and tonight was a very welcoming return to form.

(Seriously look how fucking bad ass that thing looks)

Their playing was tight, the vocals quite great, the new songs just as great as the old but with a more rock oriented vibe and a bit more girth, and an energy that had the whole building a dancing and singing along this band just brought it and didn't let go and they gave me a show that proved why I gave a damn about this band to begin with I'm pretty pumped for them to put out some new music and do more touring so everyone else can enjoy one hell of a fucking show.

Jaenki

So....it's....I.....ok I'm just going to say it THIS FUCKING BAND HOLY FUCKING SHIT BATMAN I seriously was left flabbergasted after their set because they just straight up felt like they were on a whole other level of existence just an utterly captivating and mind blowing performance from a group that sound so much bigger than the sum of it's parts and seeing Miracle Maze live was just fucking phenomenal.

Being that every member of this act is just dripping with talent and all 3 vocalist know how to carry themselves and perform with a level of excellence that's almost unmatched you had a band that were so full, textured, and rich sounding that they gave me a show that sounded and felt like it belonged in a fucking stadium they just are too good for their own good and after seeing them perform and even now a day later for real I'm so flabbergasted trying to come up with the right words all I can really say is they're something special and they put on a show that was so good that words can't begin to describe why you should pay attention if you can see them don't question just do it and make sure to bring a bag to pick up the chunks of your mind that'll be BLOWN THE FUCK AWAY.

SO yeah this show was fucking great.

7 years 5 great tracks

So I haven't written about a group of songs in quite some time and there's a very special anniversary that's come today and that would be mine, yes people today Sam's Song of the Day is officially 7 years old and with that in mind I'm a do one of my favorite things a Top 5 list but rather than making a best of like I did a few years ago I'm instead going to highlight 5 tracks that you guy's should all be listening to RIGHT THE FUCK NOW!!!! maybe all at the same time if you're fancy but yeah I've done plenty of reminiscing on here and figure I'd take this year to be in the here and now so in no particular order here's 5 songs that I've on and off been rocking out to over the past few weeks starting with the newest release...

1. Be Good Boy-Momma's Boy

AH THE FUCK YEAH! Kansas City's best group of rockers are gearing up to release the much anticipated and surely spectacular Liquid Courage EP this month and on February 3rd they debuted the first single from the upcoming 6 track EP in the form of this spectacular surf rock cut, “Be Good Boy,” which is a racious little number with an infectiously catchy guitar groove, some stellar bass work, and an opening line I get stuck in my head ALL THE TIME! Seriously before this was recorded I'd get the line, “I See You Smoking a Cigarette,” stuck in my head all the god damn time partly because I'd heard this so many times when I've gone to see them play and because of my favorite story involving this band.

It was at the second show I saw them which was a house show called Manor Fest which they threw in their house and they were closing out the first of a two night extravaganza and during their set the guitarist and vocalist on this particular track Mr. Shaun Crowley had tried to use another guitar for a track and during the whole song the guitar wasn't working and as the song went on he got more and more frustrated before eventually saying fuck it and plugging back in his regular guitar with just enough time to finish out the song and to light a cigarette before then starting in on this very track singing that line with a cigarette in his mouth and I'm not going to lie that was probably the most bad ass fucking thing I'd ever seen somebody performing a show do which is kind of silly yes but you know what FUCK IT if you were there and you saw that you'd think, “wow that guy's a cool mother fucker,” and you'd be damn right because that was Rock and Roll as fuck and this song is about that bad ass so yeah you should go to bandcamp and download the fuck out of this and if you're cool you can throw down a dollar or nothing at all I'm not here to judge just to tell you to download and play this awesome track repeatedly.

Also if you're really fucking awesome you can go see these bad ass mother fuckers play this song live for their release shows of Liquid Courage on February 23rd at the Replay Lounge in Lawrence Kansas or on February 25th at the Tank Room here in KCMO where you can get a copy of this album on CD or Cassette if that's your jive but either way you owe it to yourself to see this fucking band because yeah they are fucking AWESOME!

2. The One Who Got away-Shadow Rabbits

ON the topic of bad ass Kansas City acts that I've seen and covered here on Sam's Song of the Day we have the very groovy Shadow Rabbits with a very kind of dreamy-indie rock song with very 60's psychedelic rock tones in the form of, “The One Who Got Away,” which I've had on a pretty steady repeat since getting to see them play it live and I just have to say GOD DAMN is this song good.

The vocals are just on point with a level of confidence that is just damn impressive, the production is retro but still clean, and the part near the end where she echo's the line, “You're the one who got away,” that just get stuck in my head and give the listener something to REALLY sing along to with a shit load of passion similar to it's lyrical themes that are pretty much explained in the title and admittedly are very minimal and possibly could stand to have a verse just kind of cut out for the sake of making it not drag on awkwardly but hey when you're harking back to a time of 3 minute rock tunes that's acceptable and of course that outro is just damn great.

This band is super dope people and I this track is just one of many they have available that are well worth your time to go check out.

3. To The Fire-DREAMERS

Now for me to talk about a band that I've covered for quite a while on here and who isn't from Kansas City and a band that I'll be seeing live again here next month with one of MANY exceptional cuts from their debut album, “This Album Does Not Exist,” in the form of this just fucking jaw droppingly great track, “To the Fire,” which is a very kind of 80's New Wave dreamy cut with a chorus that's just fucking pure unadulterated FIRE like for real I could just hear those echoing cries of, “Into the fire,” on endless repeat people because I just love the effects that they use on the vocals and the steady pace of this tracks instrumentals on top of those kind of dragged out echoed vocals and the run time of just 2 minutes and 50 seconds is fucking perfect because it makes the song stay around for just long enough to make you down right crave it.

For real it's super fast pace along with awesome structure and addictively catchy echoing woo's will leave you just saying, “To the Fire,” over and over as you hit repeat to unsuccessfully try to get this awesome piece of music out of your head.

I can't wait to get to talk to these guy's again so I can tell them how great they made last year with their support of Sam's Song of the Day over their Twitter and little fun fact they were actually the first band to ever comment on one of my song of the Day post whenever I wrote about how fucking bad ass a song Wolves is and it's something I'll probably always be a little bit proud of and one of many reasons why I'm so god damn fond of this band.

4.  Can You Deal-Bleached

Yet another newer band I love and have gotten the absolute pleasure of not only seeing twice but getting to talk to them personally Bleached recently announced that they're getting ready to put out a new EP and Zine called Can You Deal which you can read about on their various social media accounts and their website and they're also gearing up to tour with The Dammed for their 40th anniversary tour which is fucking wicked as hell but with all that in mind let's talk about this fucking bad ass new single of theirs.

Can You Deal is a very kind of 90's tinged grungy rock and roll track very reminiscent of something you'd expect to hear from a Veruca Salt or maybe the Pixies and Jessica Clavins Guitar Work on this track is very VERY good and I love her changing of pace when she goes from kind of softer parts during most of the verses before kicking things into hyper drive and just fucking pounding through the chorus and her solo around the 2:50 mark is quite nice and of course Jennifers Vocals are just more confident than ever and she seems to really feel this song from how she sings it.

This band get's progressively better with each release and, “Can You Deal,” from just this track alone sounds like it may end up being possibly better than Welcome to The Worms because this band is finding a groove and will be taking over the world before we know it.

5. I Palindrome I-They Might Be Giants

So I'm a go WAYYY back to ye mythical Year of 1992 with the second track to the masters of quirky 90's alternative rock They Might Be Giants partly overlooked masterpiece of an album Apollo 18, “I palindrome I,” which in the title and a lot of it's lyrics ironically enough is a palindrome which is just one of many examples of how this quirky little duo may be the most ingeniously intelligent band around.

“Some day mother will die and I'll get the money, Mom leans down and say's my sentiments exactly, You son of a bitch I palindrome I,” start a very kind of dark and almost jerky little number that again doesn't over stay it's welcome and is dripping with this bands patented brand of charm and spontaneity in it's rapid fire pace you're delivered a stellar track that'll wiggle it's way into your subconscious and serve as one of MANY reminders that this band is more than a couple of bad ass Looney Tunes tracks.

For real if you get the time look into this bands catalog because they have made a fucking shit load of REALLY good songs that are very quirky in nature but at times can be surprising in just how well written and clever they actually are.

SO there you go people 5 bad ass songs I'm listening to right now it's been pretty fucking fun to of been doing this whole site for the past 7 years which is still FUCKING CRAZY to wrap my head around because I didn't think just how long it'd been and my facebook on this day memories thing are loaded with my post of these different songs of the day's and I've written some cringe inducing shit for sure but at the same time this little project has also given me some fucking spectacular memories especially from all the people who've read the different post and told me how much they liked them those people are the fucking best and deserve the biggest thanks along with all the bands and artist I've covered thanks for giving me a reason to go on for 7 years and the years to come but hey let's quit being sappy and go ROCK THE FUCK ON!!!!!

Sam's Thoughts...

Guy's My Age-Hey Violet

I was watching this video on the internet called Billboard breakdown where this guy analyzes the Billboard Hot 100 every week and this past week this song apparently charted somewhere in the lower half of the chart recently and I remember this critic being very harsh on this song to a point where that along with the small clip just kind of made me have to go check this song out and a few listens later I'm a small bit perplexed.

So some context to all this apparently Hey Violet consist of the members of a band called Cherri Bomb who from what I heard were an all girl pop punk act that made what was pretty bland fair very reminiscent of their tour mates 5 Seconds of Summer with a sound that give me this feeling that I'm way to old for this teenybopper shit so from that after the lead singer decided to go AWOL they reformed and changed their sound to go from a kind of teenybopper pop punk group to what I can best describe as Melanie Martinez trying to make a radio Disney rock record.

The chick they have singing for them pretty much sounds like a Disney channel knock off Melanie and from this and the other songs they've made her lyrical themes seem to consist of edgy teenage girl things like hating on “Fuqboi's,”  being young and, “Feeling it,” and of course the subject of today's post wanting to fuck older men.

This song from the beginning drops pretty much all the Radio Disney rock sounds of their previous tunes and instead adopts a kind of trap music tone with a pretty decent drop as she lulls along a chorus that sounds exactly like something Melanie Martinez would write, “Guy's My Age don't know how to treat me, don't know how to treat me, don't know how to treat me, don't know how to touch me, don't know how to love me good,” croons this purple haired choker clad chick that I had to verify that she's 18 while she does her best to basically personify a Tumblr post validating why it's not at all creepy for women this age to go after men who are at a significantly different point in their lives than them.

You have an incredibly creepy undertone going on here where the whole I'm a bad girl who's mature for her age is spending 3 and a half minutes making a very 2016 sounding pop tune that's admittedly pretty fucking catchy with it's formulaic but solid beat being complimentary to a vocalist that's clearly taking notes from Melanie Martinez and Halsey in trying to be very forbidden fruit sexy but equally uncomfortable and admittedly I only find this song interesting for the fact that somebody who enjoys Melanie Martinez as much as I do should theoretically enjoy this song a lot more but really I'm getting more of a vibe that I'm listening to a cheap knock off that just makes me wonder if all future pop bands are going to be this kind of blasé edgy teen bullshit from here on out because modern radio has been stagnant with only a couple of real gems shining though and if this sound is apparently what it takes to get on the hot 100 and get 6 million plays on Youtube than I'm just starting to think that Billy Corgan was right in saying Rock is Dead and the internet has fucked everything up because this catchy but underwhelming bit of Tumblr jams is a bad example of things to come.