Monday, February 11, 2019

Scruffy and "THE MOTHER FUCKING!" Janitors

I remember a long time ago I was at a show at Minibar and I was talking to one of the local DJ's of the newest alternative music station here in Kansas City and I remember telling him my odd theory in regards to the most likely end result of modern music consumption habits within the next 50 years and him only ever referring to local music as “regional music,” and at the time I was sure it was something he'd been told by an A&R executive from one of the many nation wide studios he was apart of and in the process of trying to come up with something to write about the end of day's headliner that conversation still seems to be present for me and I'll expand upon that in a bit but first let's get to talking about Scruffy and the Janitors as a group.

Kind of like The UK's what we have here is a band that's an end product of the garage rock explosion of the early 00's and if I were to simplify these guy's I'd say they're a lot like Cage the Elephant in that they are this kind of dirty mix of blues and punk that's an unapologetic roughhousing track after track after track with their first Major EP Anglo being chocked full of them from the scorching opening track, "Ms. Crucio," and the popular, "Dirtleg," these guy's were a very no nonsense group of mother fuckers that made music that was very invested in it's roots and unwilling to compromise.

Now fast forward 4 years and a host of life changes then we get to Scruffy of today no longer willing to flesh out their set with Cage the Elephant covers they put those years of relentless touring to use and put out Modeling is Hard my favorite album of last year and what is it that made it that way for me?

Well let's go back to the idea of “Regional Music” for a second and kind of take that into consideration when talking about Scruffy because what they are at the end of the day are 3 guy's from St. Joseph Missouri all in their early to mid 20's trying to make it in a world that's unlike that which their parents lived in a town that I can describe as a city with a small town vibe to it's locals because if you ever see these guy's in their hometown you have a very communal experience of a lot of their closest acquaintances rocking out to a local act, singing along every word, and partying it up like it's their last night on earth because for them it's like a means to kind of escape their small town and partake in something larger than the sum of it's parts and it's that effort that kind of seeps through all of Modeling is Hard it's an album that is starting to move away from the more overt Cage the Elephant tones of a tune like, "Dirtleg," and instead you get a wide variety of sounds  from the angry punkish tunes like "The Spins," and "You got hit," the slower more melancholic "Carry Me home," the psychedelic combo of, "Feelings," and "Elephant," and of course the outstanding title track this album reeks of a bunch of guy's that are doing their thing to not only make their own but give a voice to their community of hard working individuals looking to make something out of nothing and this record really brings forth those feelings especially for someone like me that's spent a good chunk of time following these guy's around, talking with them, and kind of inching my way into their community even if I still feel like an outsider looking in.

I can't really overstate just how much this collection of tracks knocks it out of the fucking park people "Flesh and Bone," and "Modeling is Hard," are some of my most listened to tracks last year and they are just some outstanding rift filled rockers that leave me screaming along and banging my head and the combo of "Feelings," into "Elephant," is something to behold whenever they close a set with it just this intense acid trip of a pairing that is like that scene in Dumbo where the elephants are all trippy and cool before things get heavy and fucked up and you find yourself screaming, “FUCK FUCK FUCK,” at the top of your lungs it's quite a god damn hell of a time only to then start all over again depending on how you're listening to this album.

On a more personal note this record is one of those few I've heard in a long time that seemed to fit in a certain place for me that also oddly enough lined up with this story I'd been writing for quite some time as I listened to it I was able to imagine these host of made up characters having intense moments of confrontation to the various tracks of this album and when I hear those songs I just want to put them in motion in some sort of visual fashion so in helping me achieve a goal I've always wanted I can also showcase respect and perspective for a piece of work I find very near and dear and a group of people who I have a lot of respect for their addition to the craft, but alas all I really could do for this project is give it my #1 and 2 year end spots respectively and while that's something that garnered me a whole lot of views I'm not a hundred percent sure if it's even a fraction of a way to explain why you should feel the same way about this collection of tunes and group as I do.

I mean you can go see them on Saturday with me that's a thing that'd be appreciated all around because trust me it'll be a thing for sure and just the way to go out.

Thanks for reading about the 3 chosen acts for my farewell to this blog they're 3 groups of hardworking individuals that I expect to go somewhere in due time and you should come and appreciate them with me because if I'd waited any longer then I wouldn't of been able to have the ability to book them because big things are going to come I can guarantee that for sure.

Oh and on one last note stay tuned for this Valentines day for the last big piece of this website and if a few non-writing related things can fall in place for me I should have something special for after the show but until then have a wonderful day and listen to all these fucking bands!


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